Okay, we're going to go ahead and call the Public Art Advisory Committee to order. First order on the agenda is the Pledge of Allegiance. Allegiance to the flag of the United States of America and to the republic for which it stands, one nation under God, indivisible, with liberty and justice for all. Next up is the approval of the minutes from the December 1st meeting. Everybody has a copy of the draft minutes. I cannot find it online because I don't get those. As a matter of fact, Cindy said the same thing. They're in your agenda packet of Cydia. I think so, yeah. Do you have that one? What? Oh, no, no. That's the one I have here, the one here. I'm talking because I go and I read every review online because I cannot get my... I even brought my iPad, Ms. Susan. So you guys can agree with it. Anyway. I found no problems with it. Thank you. I've got a motion and a second. Any discussion? All in favor of passing the minutes, say aye. Aye. Any opposed? All right. Moving right along. Does anyone have any conflicts of interest they'd like to disclose? Seeing none. Moving on to the comment section. Anyone in the... I see one public. Would you like to make a comment? Okay. I'm sure you will later. We look forward to it. Then we'll move into the new business. Arts and Public Places Public Artwork Decommission. Firstly, Happy New Year, everyone. I haven't seen you since December. So we are asking to decommission two pieces in our inventory. Yacht Money Stones by Gary Gresko in Gazebo Park, as well as Live Learn Loggerhead by Mia. That's at the Hopestown Beach. So to clarify, decommissioning basically means putting the piece into retirement and that it would be no longer an active county-managed piece. And as a reminder, the Chapter 13 of our code does allow for public art to be decommissioned at the sole discretion of the Board of County Commissioners. So with that said, at Gazebo Park... This might not be in order, so bear with me. At Gazebo Park, we have Yacht Money Stones. And that exhibit needs to be replaced. In total, we have five pieces over there. Four, we already have plans to relocate. This being the fifth piece, it needs repairs, and we're not finding any really viable new location for it. And then second, at Hopesound Beach, we have the Live Long Loggerhead installation by Mia. So the Hopesound Beach is being renovated, and that area is fully under construction. And this piece was installed in 2011, and several of the elements are now deteriorating and are just no longer legible, as you can kind of see here by this sign. So with the site being redeveloped, staff is recommending the decommissioning of this piece and that the artist, Mia, would remove all the key elements, including the mosaic sign, the ceramic turtle, the hatchlings, and if feasible, the fresco, which can be seen right here. So I'm happy to answer any questions. And, of course, Mia is here in the audience to answer any questions. Yeah, I got a question. Sure. So that's a popular, the Hopesound one is a popular piece. Even in its condition, people stop by there and look. I'm at the beach a lot, so I see people there all the time. Can we, in the future, replace it with something similar? Or if the pieces, if the, I know the little hatchling's got to be easy to move around the big turtle, I'm not sure about, but it'd be nice if that could be recreated again. It's definitely something worth exploring with Mia in the future, so I don't see why not. Yeah, yeah. It wouldn't be, like, come back as this exact thing, because depending on how the de-installation goes, and Mia can probably speak more on this than I can. I don't know that it could be this same piece, like, put somewhere else, but maybe there's a new version of it in the future that could be there. Is there ownership? Is it, like, does the county, is this, it's theirs? Well, we own it, but Mia is the artist. But since it's, like, being decommissioned rather than destroyed, Mia is willing to take the pieces. Yes. I see. So, perhaps, as part of that, we can, in the future, if the building gets renovated or something gets done, perhaps we can talk about bringing it back in a similar way with some of, maybe some of the elements, because, as I said, people are there all the time. I agree. Sure. Mia, would you like to come in? Yeah, please. And I just wanted to back you up on that. People really do enjoy it, and I think, I hope that there is an art piece in the future that maybe it can be replaced. Mia Lindbergh, artist. We're going to, I'd like to go down there and at least maybe speak with a county engineer about what we can do about removing even part of the turtle, so that it could be, go someplace, we're going to take the monuments with the signage at the top and whatever the county, and we will store them, and we will redo them, and whatever the county wants as signage at the top, you'd be responsible for, but we wouldn't install it. And, of course, we will save as many hatchlings as we possibly can. I can store them, I can give them to you guys for your archive, really doesn't matter. The big sign, the big blue sign, the school teacher and the class that was involved in doing that would really like to have that sign. That's the one to the right in the photograph? Yes, but the monuments, which have the young people's artwork, tile work on the front of it, we'll go ahead. All I need is a little bit of help from who's ever there to get them into the truck so that we can get them to a location, restore them, and hold on to them so that when something comes up, the monuments are beautiful and they're timeless. So if there's something else that's applicable that can go as signage on the top of it, I will have them there and available for you. Anything else, you know, I don't know how much of the fresco would be able to be harvested. Is that on a piece of plywood or something? Yeah, it's all on board, but I would really have to have my husband come back into town and take a look at it because he installed it, and he did most of the fresco work. The big turtle, the hatchlings, and I know the wave's probably difficult to cut up and to do something. The wave's difficult, but the turtle, you know, we may be able to save her shell, the front flippers, and her head. Is it concrete? Yeah. Uh-huh, so it's got some weight. But we know how we put it on. Yeah, good. So, you know, if you know how it got cooked, you can figure out how to serve it. How thick is the wave? Does it go down in the ground like six inches or something? We actually took cement blocks and built them up instead of going down into the ground to create the wave. I wonder if they could cut up a piece maybe or something. If somebody wants to make an appointment to go with me or maybe an engineer from the county or who's ever working down there, I'll make myself available so we can figure out what parts can be salvaged. It'd just be a shame to just destroy it, but I can understand. We tear down trees. I don't really like that either. It's those little turtles that were, little tortoises that were, turtles we're looking for. Yeah. We're going to try and save as much as possible. Yeah, great. Thank you. Okay. Thank you. And thank you, by the way, for having me be part of that for this long. Because we love it. We go down there. No matter what it looks like, we love it. Well, maybe we'll build a new one when the building gets rebuilt. We're going to be older than dirt by that time. Yes, that's true. Or somebody else. That's true. We're still strong. That's true. Or maybe you can just bring the pieces and it can go to somebody else and be incorporated. We're still strong and I still drive a big 350 truck, so we're good. All right. Thank you, everyone. Yeah, thanks. Thank you. Any other questions real quick? Go to the Gresko piece. Sure. Go. So we decommission that and then it goes where? That is to be determined. We could explore maybe nonprofits that might want to take it or put it for sale online. Admittedly, this is my first time learning what we do with a decommissioned piece. But, of course, this exhibit as a whole needs to be moved out of Gazebo Park. It's kind of overstated. Is there a deadline for that? As soon as possible would be ideal. Would you say it became outdated? Well, it was supposed to be there for two years and it's been now how many? Five. And is it as heavy as it looks? I can only assume. Like those are legit rocks? Yeah. So this piece, just the nature of it, too, is a bit difficult to find a home for it. So we found homes for the others. And why does this have to be moved? Is it falling apart? So this agreement was with the city of Stewart for a temporary show in Gazebo Park. And because it really should have been two years and not five, and because we want to hopefully do a new show in Gazebo Park, we need to have this out of the way. And then who's responsible for moving it? We probably would be. So we would be paying somebody, I'm assuming, to do that? Or our public works or field ops, I'm sure, could help. I'm sure they'd be thrilled about it. I thought we don't have Nora Rockin' Florida. Okay. Because our big ones. And the artist doesn't want it. Yeah. I, we can ask, but I highly doubt it. That the artist, Gary Gresko, would want to take it back. You never know. Are they local? Backstory, Susan Cora's Office of Community Development. Mr. Gresko reached out to Martin Arts and then to us that he was getting, he was divesting himself of all of his artwork. He is a nationally known artist. He's got installations that a lot of, did a lot of university stuff. Anyway, he had these five pieces left and he wanted to divest. He was not going to keep him on his property anymore. He couldn't really handle it. He was in his 70s at the time and said that he would sell them to us. I don't know if you guys remember the deal. It was three grand for all five and he delivered them and installed them. And came to the ribbon cutting and did a video and the whole thing. And he was very clear at the time that they now belong to us and he was good. Okay. Yeah. I mean, they might look good with a bunch of little turtles on them. Look at Mike. Getting all creative. You know, he's in a new building you should put on your front. Is this the way it was when it was initially installed? Is this the way it looked? This piece? It's all down. Yeah, this piece. Yes. Yeah. With the three kind of posts. Yes. And I'm sorry that I didn't bring the story of it. There's a whole story of what Yap Money Stones are and its history. Yap. Yap. Yeah. What do they call them now? Yap Money Stones. So the inside is the money? No, Sadia. Inside is not the money. You will have them removed quickly if that's the case. Oh, yeah. Actually, their money is inside. What was I saying? That's all you have to say. Put it in the paper and you see how many people go there. And we won't have to worry about it. Build a reef. All right. Any other questions? You know, I keep thinking maybe we could put them in a Camino tree, but it's not going to look good. I mean. It'd make a great reef. That's what I was thinking. Yeah. Somebody would want these. The rocks are beautiful. My suggestion is put it out there and see if anybody wants it. Yep. Yeah. Put it on eBay. After we decommission them, right? Yes. So the motion would be to approve the decommissioning of both Yap Money Stones and live long. And sell them. Longerhead. I'd make a motion. And what motion would that be? That we decommission these two items. Okay. Yeah, I'll second it. Okay. We've got a motion to decommission the two items and a second. Any other discussion? We should sell them. I just would suggest what I had suggested. How about you suggest that for the record? I will bring that up, yes. What did you suggest? I would suggest that we at least put it out there to see if anyone would. Would want to purchase them or remove them, you know? And I don't know if. Repurpose them. So I think Elise said earlier that we would look at maybe nonprofits to see if there were any folks that would be interested. And then the county has an auction service. So that's what would happen. So I would. We would use the county auction. I would add an amendment to that motion. It's just to ensure that we are definitely following through with the nonprofits and anyone who would be open to purchasing this. Or even removal because that's a cost as well, you know. And the money put them back. Yeah, I'd rather see them given away than just destroyed, you know. So if somebody just wants them. And decommissioned doesn't mean destroy. It just means it's not going to be in our inventory anymore. Gotcha. But, yeah, it's not destroying. However, if someone wants it, at least we know it's going somewhere. Yeah. You know what I mean? So. Are you good with the amendment to your motion? I'm good with the amendment. Are you good with the amendment to your second? I am. All in favor of the motion with the amendment, say aye. Aye. Any opposed? None opposed. All right. Your first unanimous decision under my reign. Moving on to the Art from Public Places Program Manual slash Budget Review. Okay. So I know that this has come before you a few times last year. Um, and since then we've been continuing to make amendments to this draft because of the calls also that we did last year. We, it was brought to light some challenges in our process that we wanted to iron out and include in this latest version of the program manual. Um, key updates include reorganization of the manual itself to follow a full process from start to finish of how a public art project goes. Let me pull this up. This is easier. Um, we did the program goals into clearer guiding, uh, themes, strengthening the artist selection, uh, criteria, selection methods, uh, the advertising timeline at 45 days because that wasn't clear before, um, uh, uh, and then the scoring criteria that you all had used in the calls this last year. We have that also in the manual. Uh, the Martin murals section, uh, the Martin murals section, we have, uh, made updates to the eligibility specific to commercial properties and clarifying that it wasn't for people's homes. Uh, the timelines and approval steps and removed all the internal forms of the manual since those are now being held, like, managed digitally and it's easier for access and the most up-to-date version control. Um, overall, um, overall these updates help improve decision making and make the program easier to understand for both the public art advisory committee and the public. So then moving on to the budget review, um, we had gone through this last year and you all made, uh, an approval and I'm just bringing this back to show you some updates that were made in specific to the maintenance section right here. Um, so we have the, uh, murals at Sailfish Splash Water Park that will need refreshing this year, um, as well as the Gresko sculptures. Since sitting out in Gazebo Park, they will need some repainting and some of the metal has corroded, so we're working on getting that refreshed before it moves to their new locations. And then Serenity, as you know, at the Blake Library, uh, her repairs wound up being more than we estimated, so they came in at $1,500. Um, and then I also wanted to bring to your attention in the capital construction portion of the budget that, uh, for 2027 we allocated money for the new sculpture exhibit at Gazebo Park as well as the Hoke Library in Jensen Beach. Um, Susan and I had gone a few months back to meet with them. They recently constructed a new pavilion and they are looking to do something similar to the Ripple project, uh, where they connect their pavilion to the butterfly garden that's there and kind of have this eco-art walking tour type thing, uh, and it would be a great partnership project for 2027. So, um, again, I'm happy to answer any questions. And Susan, if there was anything else with this, I think that was all the changes we had since the last time you had approved it. So, the motion... So, real quick, and I might be reading this completely wrong, uh, for 2027. Yes. You've got total expense at 26,000. Are we in the capital? On this capital construction? Yeah, capital. Okay. Yeah, so... So, that should be 66,000, correct? Correct. Yes. Which will put the ending balance at minus whatever. Yes. What happened? 20, 20, 10, 10. Oh, oh, okay. I'm seeing it now. There's a... That's what I was wondering. Thank you. So, ending balance is going to be minus 24,000. Is that a problem? Why? Oh, may I? Yes. Yes. That's a problem. Okay. I had a feeling. So, I apologize for that. Uh, the... We can move the Hoke Library to 2028, first of all, because I don't think that that project's going to be ready to go probably until then. And it's not even an absolute, that's an estimate. We don't know that that's the actual. Uh, the other thing is, is that we generally never, as you guys know, spend all of the money that we allocate each year. So, there will be some rollover, would be my expectation. But you're absolutely right, that will get fixed. And thank you for seeing that, before I go to the Board of County Commissioners. You've already fulfilled your job as chair. We're out. You got to it before. I hate to say that. So, yeah, we'll make that adjustment and give you the update next meeting. All right, cool. Thank you. Yeah. Can I ask the question? Where are we on the mooring field mosaic? So, that's totally installed. It looks beautiful. Um, and given that there is some more construction with that project as a whole, we're holding off on doing a dedication ceremony, uh, until there's better parking and some of that construction is out of the way. Because it's got 7,500 for this coming year, 26. Well, I think because Susan, right, how that works with, uh, how we paid for the mosaic in Salerno and saying in 26 because we had to pay his other half this year. That's correct. Yeah. Okay. It's just a question of when the fiscal. Okay. Thank you. Any other questions? Yeah. Go over your accounting because you'll get in trouble tomorrow with. I'm already in trouble. I'm just trying to save you. Don't go to sleep. Yes. Thank you for catching that typo. So, you'll move the Hope Sound Library to 2028? Mm-hmm. Not have a negative. That was. We will move that. Great answer. That's all we're hoping for. All right. Anyone else? Sorry, Elise. Continue. Yep. Okay. So, that was, um, that was it. Uh, if I can just get a motion to approve the recommended draft of the program. Manual as well as the budget when we fix the sell on the sheet for the Board of County Commissioners. Got a motion and? I'll second. And a second. There we go. Any other discussion about the budget? Just fix it. Yeah. I don't like to see, uh, CRA people get punished from the commissioner. I think we have full faith it will be fixed. All in favor of approving the budget, say aye. Aye. Any opposed? None opposed. Right. Thank you. Moving on to Arts Fest. Okay. So, Arts Fest is next weekend. And as always, we're really excited and proud to be a sponsor. Um, I did mention how we will be having a print station at our tent where folks can pick from these four wildlife mosaics that we have at Hal Patiochi Park by Jessica Liddell. Um, here I have actually, if you want a hand here, Diane, if you want. I stole them from the Arts Council. It'll be really fun for folks to come up and we'll have the printer there. They pick their piece and then we will be conducting a survey. Printera, who did the book benches for the library, is donating a 3D printed, I think, planter. So, when we do have the surveys, people will get a raffle ticket for a chance to win a 3D printed planter, which is kind of cool. Cool. And, um, yeah, we hope to see all of you next weekend. The hours are Saturday 10 to 6 and then Sunday 10 to 4. And I think that the totes will be a huge hit. Wow. And then some of our giveaways, too, are kind of fun this year. So many functions this weekend. Yeah, they look really good. It's going to be cold. It'll be cold. Well, this one's next weekend. Yeah, next weekend, February 7th and 8th. And the giveaways we have, like a small coloring book for adults with colored pencils and clay and then our fans, if in case it's randomly warm. I don't know. Wow. Yeah, they look really nice. And then here's the map. So, we'll be right where this yellow dot is, closer to the East Gate. You don't have them for sale, these? Sell them? Well, we'll have them as a giveaway. Well, give me every one of them. They were really nice. Yeah, I think they really turned out awesome. Cool. Thank you. Any Arts Fest questions? Tapper or now? All right. Moving right along. Next is program and project updates. Okay. So, moving along. So, here is Nate's mural for the Hope Sound Library. We're excited to have him start next month. There was a little bit of a delay with the construction side of things, but nevertheless, super excited that he'll be starting. Along with that, the book benches are printed from Printero. So, here is a preview of it at the warehouse. We are currently finishing up the CNC portion of the spine. So, like this piece right up here of the two books that they had selected from their branch manager to have be put on the books. So, there will be like text on there with a title or something? Mm-hmm. It will be the notebook as one of the books and then the book Heidi. And I'm forgetting the author's name of Heidi. But we're really excited to see them come to life. This was obviously a first time for them to even create something like this. And as you recall, the only other place we saw these being constructed was overseas. So, it's really neat to have something like this here. And then next, I know, windy day for the patio at Palm City Place. We are finalizing our move from the warehouse to the patio. And we're planning for the dedication ceremony to take place during the patio playlist concert on February 28th. So, I will be sure to get the invites out. And if anything changes, I'll also be sure to let you know. But we're really excited to get it out there. I have a question about that. Sure. We have a lot of young kids come there. What if they start trying to hang on this thing? How are you going to prevent that? We will have a sign that says don't do that. I could even go and read it. That's a good point. They're really unruly. They're out of control over there. Yeah. Well, hopefully, with the sign and the placement being closer to the road and near the sidewalk and kind of towards the firehouse, maybe we'll help the neighborhood. Maybe I should keep my baby gun at the clinic. Yeah. I'll get the other side. Hopefully, you know, like the neighborhood will remind the kids that this is a piece of art and it's not something to grind and destroy. Man, that, Palm City people, be nice. They can't hurt this piece if they hang off that. No. It's really solid. It has rebar all inside of it. It's 800 pounds. Wow. I could see people taking a picture with themselves, like getting blown away too. Yeah. Or... So are there cameras around? No. Like the businesses that are nearby probably have cameras. Sure. One is right across the street. So they have one. Yeah. Is there anybody pointing in that direction? No. Not yet, you mean. No. So we're excited. I've got a corner I could put it on. We'll put it right on your clock. How's that? That'll solve that problem. Good idea. Oh. I mean, you could, right? So if you really needed to, that's something you could think about in the future. Mm-hmm. Do you have a time? Time? Do you have a time? The concerts are normally, what, 6 o'clock? So probably 5.30. 5.30. Yeah. Just before the concert. They're packed. Packed. So that should be a lot of fun. 28 February is a good day. Yes. That'll be a Saturday. You know why? Why? That was the day I walked into the United States on February 28th. Yeah. It's a big anniversary for me. Okay. So moving on, I do, like we mentioned, we are focusing on the water park. I did want to give you all an update about there had been construction at the water park, repairing a lot of the stucco. Unfortunately, that meant that Nadia Sereni's mural on the competition side did have to get painted, which was here. And then also by the Lazy River, there was a lot of deterioration and broken cement. So Shannon Anderson's mural also had to be painted over. They are both aware and completely understanding. With that said, we're looking maybe in the future to do some sort of call or project with a 3D component that can maybe be put onto the wall, but won't be affected by what happens. And also the park staff are working to get me information on certain areas in the park that are just susceptible to damage and obviously not trying to put projects in those spaces if it's naturally going to just break. So I just wanted to bring that to your attention. And then lastly, we went on a field trip to the firehouse. They are excited to be accepting the silent sounds of service piece by Gary Grusco. And there are two proposed sites that we looked at, one being right in front of the firehouse. And then the second kind of... It's Palm City Firehouse? Yes, yes. It's kind of like along the sidewalk with the retention pond behind it. Palm City's getting everything. All the way. All the way. All the way. All the way. Wait a minute. I have to make a comment about that. Look, look. You need to talk to the chief. Fire chief, he decided. Okay. Yes. Just look how many people here. They're from Palm City. The fire chief did. Is there anywhere else? Oh, come on. It's also why they have no money. You guys need to share the love. You guys need to share the love. So the fire chief, yes, thought... Just got a major art piece. The fire chief thought Station 21 would be best for this piece. So I just wanted to get feedback on where you all thought would be a good spot. And I also wanted to tell you a fun fact. So one of the staff on the fire rescue, he, when he was in college at IRSC, actually wrote a paper about this piece when it was installed. And so it's kind of full circle that it's winding up at a firehouse now. And I thought that was really cool. And we're going to try to get a copy of that paper and maybe put it out. Cool. Is there some place that we can look at this piece before it's installed or not? So it's at Gazebo Park next to the Courthouse Cultural Center. Okay. It's not the big rocks, though. It's the other one. Yes. Thanks for pointing that out. So if you all had any feedback on what location you thought maybe worked or not. It kind of looks out of place in both spots. Well, this also isn't the best. All right, you guys. I would say not in a walkway. The other one looked like it's in a walkway. Is that in a walkway? Yeah, it's a walkway from the road right into the front door. I would say not in the walkway. How about over to the corner of the firehouse towards the park, but still? So this, the second location is kind of that? Yeah, but that's out in the front. You're saying further over to the left. I'm talking about right in front of the fire station, but on the very north side of it. This way? I think that's where the 9-11 memorial piece is, and they're not wanting to put anything. No, that's more in the front in the middle. Yeah. He's talking about further north, like over where the controller is for the irrigation. Okay. Right. Maybe the chief has a place he likes. We could look at it again, but we did do a walk with the district chief, and he had thought, okay, the locations he had in mind. So. These are his locations? That we looked at. And then we looked at where the, there's a bike rack, maybe removing that, but he didn't like that. So they thought these two, but then left it up to us to make the decision. Do you think they had it set there on the sidewalk thinking that perhaps it would go into the landscape behind there? Not that one. The other one. Oh. The other one. Yeah. If you moved that back and removed that one grass shrub, you could put it on the edge of the walkway. Okay. Okay. I mean, I'm not familiar with these, these places, but, um, yeah, it's wide walkway. Yeah. And it looks like it's kind of in the corner there almost like you could get by it. Yeah. It looks like it's like right in the middle of the walkway. Yeah. But there is a corner there where if it was kind of, I don't know if under the, I don't know. Yeah. This, I mean, this mockup is a little misleading too, because you can only guess so much proportionately. Scale. And that corner is much larger than what it looks like in this picture, uh, where you could still comfortably walk around and follow ADA. So this is a little misleading. Yeah. Um. What is the piece all about? I don't, is it like organs or something? No, it's a, it's like a wind chime. It's a wind chime. It's silent and it speaks to, you know, our service members and their acts of service that they go. Okay. And silent sounds of service. Representing the fire. Representing the fire. You guys didn't hear what he said. Yeah. Got it. Mike. What did he say? I'm trying to look at a map to figure out where it is. You know. So that's it. Yeah. It's right about where those count. So Rex, you know this area. So that's a big enough walkway? Or do you think it needs to go back? Yeah. Yeah. Cause I don't really know. But we can definitely take this feedback and, and relook at the site. Uh, and of course we're going to, um, speak to commissioner can't be too on his input on where he would like to go. Can we move to defer to commissioner campy? Okay. I think, you know, a place where it can be seen the most for me is the important part. Of course. So right there, that picture, it just looks like it's more detached from the fire station and just kind of hanging out on its own then as a part of the fire station. Like I guess it's supposed to be, but then your other picture looks like it's right in the middle of everything. Right. If they moved into that bed, that might be good. Back behind. Yeah. Yeah. It's hard to tell from this angle. What's there. They just didn't want to have it too close to the nine 11 Memorial component. So I think he's talking about the other location. If it were just to be pushed back. Yeah. That one. Like in that corner where the concrete meets the mulch. Okay. Yeah. Just so it wasn't under the overhang. Yeah. It wouldn't interfere with the piece. Yeah. Yeah. Well, we'll take this feedback for sure. Things to consider. And then maybe Rex's suggestion. Location. Yeah. That's pretty good. So that's the nine 11 one. Right. That's the nine 11. Here's where y'all. It's sitting right there on the concrete right now. So those were my updates about what's happening. Well, thank you very much. I'm ready then. Nothing like confusing us at the very end. Appreciate that. Any afraid to ask this comments, questions, concerns. You don't need a motion for that last piece. No. Just look for a recommendation. Yeah. Just purely throwing that out for no reason. Appreciate that. For your feedback. Rex, Jamie, y'all are good. You're fine. Oh, are we at member? We're moving on is all just you're good. You're good. I'm good. Okay. I just want to make sure. No, we need to adjourn over there. So then we'll move into comments. Public. Mia, you're my public. Nothing. You said your piece. Member comments. Yes. Yes. I would love it if in the future if we have any additional artwork that needs to go somewhere. If we could think about Port Salerno. You just told me what I was going to say. What did we get? Pelican. And the mosaic. That's been a while. Yeah. Well, the mosaic wasn't our project. Mm-hmm. Wasn't it? Pelican. Wager. Have you gotten to see the mosaic? I did. Yeah. I actually saw it. It was like the next day. Yeah. It's so beautiful. I think once the landscaping goes in and all that, we'll be okay. Yes. No, I'm just kidding. I love you guys, Palm City. Thank you. Well, you guys don't take everything. Leave some for us, please. No problem. Golden Gate, always forgotten. No. We don't have no art in Golden Gate. Show it to me. We're working on it. We still don't have any sewer. Huh? Just saying. Jealous people. Uh-huh. We're still waiting on palm trees to each other. I think this should represent Palm City place because there's one in the lake there. Oh, yeah. Yep. That's right. It's an alligator, yeah. Bert, you're good? Yes. You're good, Jeff? Yes, sir. All right. We're through member comments. Staff comments? Anything? Nothing? Are you sure? Yes. Then we are adjourned. Thank you.